Tuesday, January 15, 2013

The Narrative of Arthur Gordon Pym of Nantucket


Edgar Allen Poe's only novel can be a bit difficult to digest, despite Poe's limpid prose and straightforward style; it's a novel that swings through genres in a way to render characterizing it as nearly futile. What begins as an adventure at sea becomes horror, a false document, before ending in a kind of mystic symbolism that the heavy-handed notes in my copy chalk up to Poe's grief over the death of his mother and brother. (At left is not my copy, but since I couldn't find the correct image in a suitable size, I just picked what I thought was the best looking image on GIS)

The Narrative of Arthur Gordon Pym of Nantucket (I'm going to leave off its more than one hundred word subtitle (!) here) begins relatively simply: it's the cobbled-together journal of our eponymous protagonist (he didn't keep a proper journal on his adventures, and Poe, among others, supposedly coaxed him to write up his memoirs, as they contain numerous singular anecdotes) Our hero is a young man, living in New England, whose bosom friend convinces him to stow away on his father's brig, which is headed for a voyage to the South Seas. Once a safe distance away from port, our hero is to emerge, when it would be inconvenient to turn back. Of course, fate intervenes, and what had been a simple plan becomes Pym narrowly escaping death over the course of several separate events.

My copy of this work (Penguin Classics. Let no one say I'm highbrow) has a series of (over the top) notes, which mostly amount to calling attention repeatedly to slightly repeated passages, pointing our what source Poe is working from (Pym works heavily with verisimilitude, so he used several real travelogues* as sources for Pym).

* at least one of these has serious questions about its accuracy, in that the author's path would have taken him over the Antarctic continent. So either there are errors of navigation, or . . .

However, three interesting points raised by the notes are 1) that the novel has mirror-like qualities (certain lines occur equidistant from the middle of the book, and the exact middle of the book features two facing mirrors 2) the possible connection of events in the book to Poe's personal life, in that details that may call to mind the life and death of his mother and brother, and 3) the interpretation of the ending. Pym's ending is abrupt and ambiguous: a "note" afterwards explains that Pym died before he could complete his narrative, although he was nearing the end. Since Pym is an invented character, this is clearly not the case, and has led to scholars debating the meaning and symbolism of the ending. As far as Poe goes, this isn't quite a horror story, but it's definitely gripping and worth a look.