McSweeney's 45

It's another anthology from McSweeney's, with dueling (ok, alternating) tales from a Bradbury anthology and a Hitchcock anthology. Some of them are classics (Bradbury's "The Pedestrian"), some are tediously long (Lucille Fletcher and Allan Ullman's "Sorry, Wrong Number"), one is out-of-place (John Cheever's "The Enormous Radio", while an excellent story, just doesn't quite feel like it belongs in here).

China Mieville's "The Design" is excellent and really impressed me, and Brian Evenson's "The Dust" certainly feels like it could be in a 50s/60s anthology. Kafka's "In the Penal Colony" is both terrifying and awful (and the machine described therein is featured in Gene Wolfe's Book of the Long Sun). Julian May's "Dune Roller" is an example of a really worthwhile story I was previously unfamiliar with (more than likely because Hitchcock, rather than Bradbury, picked it, but it certainly could have been a Bradbury pick). In contrast, Benjamin Percy's "Suicide Woods" doesn't belong in here, both because it has little in common with the other stories in the anthology, and because it has far too much in common with stories in other McSweeney's anthologies. I feel like I've read it a dozen times previously, and that's not a good thing, either for it or those other stories.

Overall, recommended. Even the stories I was less than thrilled with are page turners (and as far as page turners, the last story enclosed here is terrifying, and has a lot in common with a favorite, Alfred Bester's "Fondly Fahrenheit.")