McSweeney's 45

It's another anthology from McSweeney's, with dueling (ok, alternating) tales from a Bradbury anthology and a Hitchcock anthology. Some of them are classics (Bradbury's "The Pedestrian"), some are tediously long (Lucille Fletcher and Allan Ullman's "Sorry, Wrong Number"), one is out-of-place (John Cheever's "The Enormous Radio", while an excellent story, just doesn't quite feel like it belongs in here).

China Mieville's "The Design" is excellent and really impressed me, and Brian Evenson's "The Dust" certainly feels like it could be in a 50s/60s anthology. Kafka's "In the Penal Colony" is both terrifying and awful (and the machine described therein is featured in Gene Wolfe's Book of the Long Sun). Julian May's "Dune Roller" is an example of a really worthwhile story I was previously unfamiliar with (more than likely because Hitchcock, rather than Bradbury, picked it, but it certainly could have been a Bradbury pick). In contrast, Benjamin Percy's "Suicide Woods" doesn't belong in here, both because it has little in common with the other stories in the anthology, and because it has far too much in common with stories in other McSweeney's anthologies. I feel like I've read it a dozen times previously, and that's not a good thing, either for it or those other stories.

Overall, recommended. Even the stories I was less than thrilled with are page turners (and as far as page turners, the last story enclosed here is terrifying, and has a lot in common with a favorite, Alfred Bester's "Fondly Fahrenheit.")

McSweeney's 44

I like Jim Shepard's "The Ocean of Air", a fictionalization of the Montgolfier brothers. The rest of the stories didn't do much for me.

McSweeney's 41

McSweeney's 41 is a collection of short stories, short non-fiction, and some work by Australian Aboriginal writers. I was worried that this would be uneven, but that's not the case at all -- everything in here is top notch.

The first story in here is a Thomas McGuane account of a fishing camp in the wilderness, with two former best friends who are well on their way to becoming estranged. It's depressing and darkly funny.

McGuane is the only author here I was previously familiar with (although I do recall seeing review for the novel excerpted here, John Brandon's A Million Heavens), but everything here is polished.

Other stories I'd single out for praise are Aimee Bender's "Wordkeepers", Jess Walter's "The Wolf and the Wild,", and Ryan Boudinot's "Robot Sex."

The non-fiction ("A Land Rush in Iran" and "What Happens After Sixteen Years in Prison?") are both well done, if a little meandering.

Finally, the four short stories from Australian Aboriginal writers (Tony Birch's "The Promise, Ellen van Neerven-Currie's "S&J", Tara June Winch's "It's Too Difficult to Explain" and Melissa Lucashenko's "Tonsils") are more than worth additions to this collection -- they're as good or better as anything that came before them in this work.