Heart of a Dog

There's a reason this wasn't published in Russia until 1987, and it had nothing to do with the quality of this novel. Written during the height of the NEP period, it's a transparent satire of the life of both the arrivistes and the old money.

At first I thought this was going to be a work along the lines of Jack London, as it opens with the dog as the narrator. But it quickly moves to a third person perspective (although the changes in intelligence the dog undergoes would make for a challenging first "person" perspective).

The conceit of the story is that by transplanting certain parts (such as the pituitary gland) from a (recently deceased) human into an animal, the animal could gain human form and intelligence. Of course, the newly-human dog behaves exactly the way one would expect (crudely), and sides with his benefactors enemies.

It's an easy read, would recommend.

The Master and Margarita

The Master and Margarita is not the Faustian temptation story that I thought it would be. Nor is it the story you'd expect from "Satan appears in modern city, wreaks havoc". It's not a tragic love story, either, even if it hints at veering in that direction.

What we do get is Pontius Pilate in Jerusalem (first as a story a character is telling, then later as excerpts from a novel a different character had written). One of the fascinating things about this is how Bulgakov uses different, more obscure translations than we would expect; it's "Yershalaim" rather than "Jerusalem", "Yeshua Ha-Notsri" rather than "Jesus of Nazareth", and "Judas of Kerioth" rather than "Judas Iscariot." This device signals that this isn't quite the story as represented in the Gospels. Instead, it's a (plausible) accounting of a potential historical Jesus, his disciple (only one in The Master and Margarita), his betrayal, and his eventual execution. This story is interspersed with the contemporary action of the novel, that is the Prince of Darkness himself, and his retinue in 1930s/40s Moscow.

Said action entails the actions of the retinue of Professor Woland (a mysterious foreigner we meet in the first chapter, and who appears to be Satan): a man-sized cat, a fanged assassin, a freakishly tall fop, and a witch in and around Muscovite society. In short order, they take over an apartment (of a man who Woland corrects on the historicity of Jesus), organize a magic show which ends with half the audience in a state of undress, expose hypocrites, and get the one man who sees through it committed to an asylum.

Our title characters are introduced later in the narrative: we meet the Master in the asylum, when he's the neighbor of the character who's committed. We hear of Margarita through the story of his life he tells, but we don't meet her until much later in the novel.

Would recommend, as this is a variety of novels in one: that of the historical Jesus in Judea, a not-quite bildungsroman of the poet we meet early, a political satire, and a madcap adventure.